I didn't do any printmaking or painting over the Christmas holiday period. This holiday for me has always been about relaxing with family, reading lots of books and generally not doing a great deal.
However, trying to pick up again after the break has been hard. I seem to have hit a dry spell. Such few ideas that have struck have not worked out in practice. I've done some painting, but all of it so far has been picking up existing work. Getting inspiration for new stuff has been hard.
After a while I decided to stop trying to force things and do some writing instead, for here and for my other, politically focused, blog. For me though, writing anything over a few paragraphs takes time, because I need to build a logical structure to a piece even before I begin the process of editing and polishing.
So blog posts for here on the idea of 'Cultural Appropriation' and about my visit to the Gerhard Richter show at Tate Modern and for my other blog on a range of topics including the Occupy movement, pop up shops and galleries and on the increasing trend for political power to become increasingly concentrated in a small political class are all unfinished!
Advice for writers on beating writers block is usually to keep writing. It works because if all else fails the only thing you waste is time, and if you work your way through the blog block that isn't in the end wasted. Printing is something else though. My last three sessions at college have been a total bust, with nothing to show at all, while several days work in my own studio have been frustrating and depressing, with nothing produced worth keeping and many false starts, wasting ink and paper.
So how do you get through a creatively fallow period? Do you work on regardless, knowing much of what you do will be wasted or do you change tack, perhaps drawing or taking photographs instead of working in your usual medium? Please share your own experiences and practice - in the comments below rather than in the various fora to which I usually post links to blog posts.
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Sometimes it's simply the discipline of painting (or writing) that keeps us going. I do think having a separate studio might be key, if one has a family. I have no distractions but those I make myself, and a long habit of making mistakes and not worrying about them. It's easy to paint over a painting. Not so easy to remedy a print, although a printmaker I knew long ago would tear up his 'failures' to make collages. Something out of nothing is the alchemy of art.